Monday, April 07, 2008

When Does the Rioting Start?

Artist creates a homoerotic depiction of the Last Supper, carnage and murder ensues.

Oh wait, nobody's rioting, issuing death threats and killing people?
They knew it would be risky to exhibit a homoerotic version of Christ's Last Supper, but curators at museum of Vienna's Roman Catholic Cathedral weren't ready for a barrage of angry messages and calls to be shut down.

The source of the dispute, which Austrian media has dubbed Vienna's version of the Mohammad caricature row, is a retrospective honoring Austria's cherished artist Alfred Hrdlicka, who turned 80 earlier this year.

But not everyone has been wishing Hrdlicka a Happy Birthday. And the Cathedral Museum's director and Cardinal Christoph Schoenborn, the archbishop of Vienna, have both come under fire from some museum visitors and Catholic websites.

The Church hastily removed the main picture, "a homosexual orgy" of the Apostles as Hrdlicka describes it.
Angry messages? Such intolerance.
But the most disputed work was 'Leonardo's Last Supper, restored by Pier Paolo Pasolini' which showed cavorting Apostles sprawling over the dining table and masturbating each other.

Hrdlicka says he represented the men in this way because there are no women in the Da Vinci painting which inspired it. Pasolini was a controversial Italian filmmaker and writer who was murdered in the 1970s.

The exhibition has attracted fierce criticism on religion blogs in Austria, Germany and even in the United States, with bloggers denouncing it with terms such as "blasphemy" and "desecration."

"The exhibition should never have taken place. The Director should apologize to Catholics worldwide for this," an article on conservative Catholic website kreuz.net said.

In the United States, conservative columnist Rod Dreher wrote on his widely read religion blog "I wouldn't have guessed that, given his reputation, a man like (Cardinal) Schoenborn would have stood for this abomination for half a second.
Probably best to ignore such dreck.

No comments: