Monday, December 07, 2009

Boring Night in Burbank? How About Some Porn Star Karaoke?

I figure if you're going to suffer through bad singing, you may as well get some eye candy to go along with it.
Even the most ardent fans of porn star Julie Meadows are unlikely, it seems safe to say, to have ever seen her like this.

But there she is, the star of "Alice in Fetishland" and more than 200 other hardcore sex films, standing on a stage, dressed demurely in jeans, matching vest and white top, her blonde hair piled up under a fetching white watchman's cap, belting out an enthusiastic but entirely PG-rated version of that old garage-band rock classic "Wild Thing."

"Wild Thing I think I love you — BUT I WANT TO KNOW FOR SURE!" Meadows growls, as fellow porn star Nicki Hunter, in a white mini-dress, leaps on stage to harmonize. A moment later, when Meadows breaks into some impressive air-guitar moves, the crowd howls its approval.

Don't get the wrong idea. This isn't the opening scene for a porn video. It's simply Porn Star Karaoke Night at Sardo's Grill & Lounge, a friendly little hole-in-the-wall place that six nights out of the week is just another karaoke pub.

The club, in fact, offers Family Fridays when parents can bring their children. On Mondays, people play Rock Band 2 while they sing. On Wednesdays there are trivia games.

But on Tuesday nights, when just about everybody else is getting ready for bed in this quiet suburb on the edge of Los Angeles, Sardo's becomes the place to be for anyone who has ever been, or who wants to be, connected with the porn business.

Between beery versions of popular songs, this is where the deals that lead to films like "Video Voyeur" often get made.

"Anytime you come to L.A. you've got to spend Tuesday night at Sardo's. That's where you meet the directors and the producers," says Tony Batman, who travels the country putting on Miss Nude contests, strip shows and exotic showcases for would-be stars.

Sonny Malone, one of the busiest film editors in the business, holds court most every week at a table reserved for her near the stage, where she hands out business cards and talks shop.

"I've made a hundred deals here," says Malone, a friendly, talkative woman of 45 who on a recent night is surrounded by two young women friends who have come to see what all the hoopla is about.

"They're not in the industry! Don't hit on them!" she warns any director or producer who approaches.

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